The Mint Museum has pieces of its collection spread across two buildings; Mint Museum Uptown and Mint Museum Randolph. These collections can be seen on view alongside our special exhibitions.
The Mint Museum is working diligently to ensure that all objects from our collection are represented on our website, at this time only a portion are available for view.
earthenware
Not currently on view
Gift of Eugene Mallar
Accession Number: H1982.177.1
Measurements:
Copyright Information:
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Gift of Eugene Mallar
Accession Number: H1982.177.17
Measurements:
Copyright Information:
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Currently on view at Mint Museum--RANDOLPH
Gift of Eugene Mallar
Accession Number: H1982.177.24
Measurements:
Copyright Information:
public domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Gift of Eugene Mallar
Charles Boyd Craven, son of Daniel Zebedee and brother to Lester Farrell, was a seventh-generation Craven potter, often referred to as “the last Craven turning.” He worked with his father until he was about eighteen, and then left to turn wares at other shops. When he retired in 1973, he bought an electric wheel and set up a small shop in his backyard in Raleigh. He turned pots for such shops as Teague’s, Tobacco Road, M. L. Owens, and Jugtown. During the last few years of his life, Charlie ran Tobacco Road Pottery with Eugene Mallar, who gave this vase to the Mint.
Accession Number: H1982.177.25
Measurements:
Copyright Information:
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Gift of Eugene Mallar
North State Pottery was founded in 1924 by Rebecca Palmer Cooper (1886-1924), who was assisted in its operation by her husband, Henry (1886-1959). The Coopers were not potters and originally employed others to throw pots. The pottery made mostly art wares and produced especially fine glazes.
Accession Number: H1982.177.32
Measurements:
Copyright Information:
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Gift of Eugene Mallar
Accession Number: H1982.177.38
Measurements:
Copyright Information:
public domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Gift of Eugene Mallar
Accession Number: H1982.177.47
Measurements:
Copyright Information:
public domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Gift of Eugene Mallar
Accession Number: H1982.177.54
Measurements:
Copyright Information:
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
All records for works of art published on mintmuseum.org have been reviewed by curatorial staff but may be incomplete. Our collections database comprises information gathered over the museum’s history; consequently, some records may be missing information, include offensive or discriminatory language, or reflect outdated ideas and analyses. The Mint is committed to addressing these issues and revising our records so as to maintain the highest possible degree of accuracy in accordance with scholarly standards.
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The Museum assumes no responsibility for infraction of copyright laws, invasion of privacy or improper and /or illegal use that may arise from reproduction of this image. The user assumes full responsibility for the use of images obtained from the Museum, to obtain permission from copyright holders where applicable and to hold harmless the Museum and its agents against any and all damages and claims arising or resulting from the use of the images.