The Mint Museum has pieces of its collection spread across two buildings; Mint Museum Uptown and Mint Museum Randolph. These collections can be seen on view alongside our special exhibitions.
The Mint Museum is working diligently to ensure that all objects from our collection are represented on our website, at this time only a portion are available for view.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.1
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Currently on view at
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.10
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of PatH. Johnston
Accession Number: H1981.24.15
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.17
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Born in Wisconsin, Oscar Bachelder left home at seventeen to travel across the country as an itinerant potter. He finally settled in the small mountain town of Luther, near Asheville in 1911. He bought some land with clay deposits and started Omar Khayyam Pottery. Bachelder was one of the first North Carolina potters to make the transition from utilitarian to art wares. Many of his wares have deceptively simple shapes and subtle shadings of colors. One of his most striking glazes was a deep black Albany slip, as seen on this pitcher.
Accession Number: H1981.24.18
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.2
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.22
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.23
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of PatH. Johnston
Accession Number: H1981.24.25
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
earthenware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
This portrait of Bachelder bears the potter's signature, his OLB monogram, and is dated 1927. Museum records show that Bachelder's friend, Finnish potter William Soini, did a similar plaque of the potter. This plaque may have been a copy of the Soini work, may have been done by Bachelder from a photo, or perhaps Bachelder did both plaques. Further research into this is necessary.
Accession Number: H1981.24.30
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.31
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.32
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware Albany slip
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.33
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware Albany slip
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Born in Wisconsin, Oscar Bachelder left home at seventeen to travel across the country as an itinerant potter. He finally settled in the small mountain town of Luther, near Asheville in 1911. He bought some land with clay deposits and started Omar Khayyam Pottery. Bachelder was one of the first North Carolina potters to make the transition from utilitarian to art wares. Many of his wares have deceptively simple shapes and subtle shadings of colors.
Accession Number: H1981.24.35
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware Albany slip
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.4
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware Albany slip
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Accession Number: H1981.24.43
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
stoneware Albany slip
Not currently on view
Museum Purchase: Daisy Wade Bridges Fund from the Collection of Pat H. Johnston
Born in Wisconsin, Oscar Bachelder left home at seventeen to travel across the country as an itinerant potter. He finally settled in the small mountain town of Luther, near Asheville in 1911. He bought some land with clay deposits and started Omar Khayyam Pottery. Bachelder was one of the first North Carolina potters to make the transition from utilitarian to art wares. Many of his wares have deceptively simple shapes and subtle shadings of colors. The creative use of the glazes here confirms Bachelder's commitment to experimentation and his fascination with the artistic aspects of pottery making.
Accession Number: H1981.24.6
Measurements:
Copyright Information:
Public Domain
In order to access a high-resolution image, please submit a request via the Mint’s Reproduction Request Form. Fees may apply.
All records for works of art published on mintmuseum.org have been reviewed by curatorial staff but may be incomplete. Our collections database comprises information gathered over the museum’s history; consequently, some records may be missing information, include offensive or discriminatory language, or reflect outdated ideas and analyses. The Mint is committed to addressing these issues and revising our records so as to maintain the highest possible degree of accuracy in accordance with scholarly standards.
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